Albert Bierstadt
Albert Bierstadt's Oil Paintings
Albert Bierstadt Museum
Jan 8, 1830 - Feb 18, 1902. German-American painter.

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Simon Vouet
The Toilet of Venus (mk08)

ID: 21484

Simon Vouet The Toilet of Venus (mk08)
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Simon Vouet The Toilet of Venus (mk08)


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Simon Vouet

b. 1590, Paris, d. 1649, Paris.French painter and draughtsman. Although at the time regarded as one of the leading French painters of the first half of the 17th century, he is now known more for his influence on French painting than for his actual oeuvre. He made his reputation in Italy, where he executed numerous portraits for aristocratic patrons and was commissioned for religious subjects. Although the early Italian works show the influence of Caravaggio, his work was subsequently modified by the Baroque style of such painters as Lanfranco and the influence of the Venetian use of light and colour.  Related Paintings of Simon Vouet :. | Magdalene | The Penitent Magdalen | Self-portrait. | The Muses Urania and Calliope | Psyche betrachtet den schlafenden Amor |
Related Artists:
Raffaele Giannetti
Italian Academic Painter, 1832-1916
Theodor Leopold Weller
Germany (1802 -1880 ) - Drawer painted Portrat einer Dame mit Brosche in19th century
Johannes Cornelisz Verspronck
(between 1600 and 1603, Haarlem - buried June 30, 1662, Haarlem) was a gifted Dutch Golden Age portraitist. He was the son of the painter Cornelis Engelsz from Gouda, who taught him to paint portraits. In 1632 he became a member of the Haarlem Guild of St. Luke and started a successful career as a portraitist of mostly Catholic sitters in Haarlem. He may have been a Frans Hals pupil, and was strongly influenced by him, especially in his natural expressions and relaxed poses. He is best known for his exactness in painting details such as jewelry and lace, which made him quite popular with female sitters. Most notably, he won a lucrative commission in 1642 for a group portrait of the regentesses of the St. Elisabeth Gasthuis, at the time the wealthiest charity institution in Haarlem. This was won at the expense of Frans Hals himself, who had painted the regents of the St. Elisabeth Gasthuis in 1641 and fully expected to win the commission for the women.






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